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The Choreography

March 14, 2026 - March 2027

Images from left to right:   May Ling Kopecky Self Portrait - Multiple Sclerosis and My Body, 2022  colored pencil, ink, and graphite on Dura-Lar and graph paper; 71" x 30"  ︎︎︎Image description: The portrait of a woman with brown hair is made of drawings of various parts of her body created using various techniques. Next to each drawing is a description of the portaied symptoms.   Benjamin Merrit Care is, 2020                                                              etching, aquatint, drypoint, sugarlift, spitbite; image 18 x 24”, full sheet 22 x 30”            ︎︎︎Image description: One black and white print, consisting of “care is” written in white on the top half, and a white rectangle on the bottom half. The text is sitting on a dark field of texture and gestural marks, the blank rectangle consists of faint texture.   Kym McDaniel Screenshot from Exit Strategy #1, Exit Strategies Series, 2017-2021  video series; 40:23 min  ︎︎︎Image description: Silver spoons arranged on a table

All My Sisters and Me, 2024. 131 x 71 inches, Textile and Acrylic paint


Alexandra Beaumont: The Choreography

March 14, 2026 - March 2027 | Rochester Art Center Atrium

Curated by Zoe Cinel


Opening Reception: Sunday, March 29, 12:00 - 2:00 PM | Free


Rochester Art Center presents an exhibition by Minneapolis-based textile artist and dancer Alexandra Beaumont. The exhibition includes artworks from her 2024 series Techniques for Ecstasy and The Choreography, a new installation that expands on Beaumont’s research on dance floors as spaces of joy, community-building and resistance. 


Beaumont’s textile and movement work explores personal and collective preservation, resistance, and expansion embracing the visual, kinetic, and metaphoric joy of parades and dance floors. 


In Techniques for Ecstasy, she captures dancing silhouettes of her friends and community. She renders them through light and movement responsive materials and techniques. Overlapping textile, fluid decoration, eclectic texture and painterly brushstrokes become vehicles for expressing not only one’s identity but also the soothing merging of these identities with the bodies and narratives of others. In Beaumont’s words: “These capture moments of exuberance and connection on the dance floor. They hang loosely, inviting viewers to join the dance.”


The Choreography, a new large-scale installation created for the Rochester Art Center’s atrium, reinforces Beaumont’s goal to “honor the power of moving together, in celebration and in resistance” while responding to a present urgency for connection. As the artist states: “the dyed and painted patchwork fabric pays homage to Minnesotans moving together in resistance against federal occupation.” In referring to the historical 2026 immigration crackdown and the violent actions that occurred in the Twin Cities, she offers dance as a metaphor to view community response: “We have learned and have taught each other tangible choreographies of protest, stepping united in time to offer our neighbors support and protection. We are leaning into this rhythm.”  

In times of division, art reminds us of our collective power and that we can be united if we accept each other. As American dancer, choreographer and anthropologist Pearl Primus once said: “dance not to entertain but to help people better understand each other. Because through dance I have experienced the wordless joy of freedom, I seek it more fully now for my people and for all people everywhere.” We hope this exhibition moves you and makes you want to move your body. 


About the Artist

Alexandra Beaumont is a Minneapolis-based textile artist and dancer. She was born and raised in South Carolina by a Jamaican father and American mother, both working musicians. After attending the residential South Carolina Governor’s School for the Arts and Humanities throughout high school, focusing on dance and visual arts, she went on to Pratt Institute in Brooklyn, NY. She works in fabric and movement to pay homage to the power of collective joy as a tool of resistance and solidarity. Her handmade banners reference the visual, kinetic, and metaphoric elements of dancefloors. These collaged cloth works often depict celebrants and protesters in movement. 


https://www.alexandrabeaumont.com



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